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This is the fourth lesson of the Art Studies class by Poochie Myers.
Poochie would like to start a dialogue with new students to art as well as professionals who might want to include segments into these art lessons, or field questions from participants. Please email your comments to Poochie: poochie@artistzone.org.
If you have to struggle then you are doing something wrong.

Lesson Four - Making a 2 Dimensional Paper Surface Depict a 3 Dimensional Object - Light and Shadow

BEGIN WITH SPHERES

(Click on the image to see a larger view and use your back button to return.)
Poochie Myers Example Place a sphere on a table. Adjust your light source so it only hits the sphere on one side creating a highlight, a middle tone, a dark or low tone, a reflected light, and a cast shadow. Let this drawing be a compromise between what you actually see and the way you know light should behave in hitting the sphere.

Also you can add a second light source and observe and draw how this affects the sphere. Draw the sphere with many different light sources. You will learn a lot about how light effects the dark and the volume.


EGGS, APPLES, AND MORE

Poochie Myers Example Use charcoal or pencils to draw the eggs. Draw these eggs 5 times life-size. You will find it more challenging to draw larger.

Overlapping is the most positive means of indicating the illusion of three-dimensional space on a two-dimensional surface. If objects don't overlap the effect is shallow.

Poochie Myers Example Try drawing 2 apples not overlapping. Use colored pencils for your next drawing. You can use the water pencils and blend with water if you wish.

Draw 3 apples, overlapping them. Notice the difference.

Draw 3 pieces of alike fruit: pears, apples, oranges, lemons, etc. Do not use any line in this drawing. Only draw the light and dark areas. Notice the difference in texture of these objects.

Try drawing a dozen apples on a large piece of paper, newsprint, the floor, whatever. Notice where the apples look flat and where they look 3 dimensional.

It's always a good idea to study several paintings or art books of the masters paintings of still life or other subject matter. Go to a museum and just study one part of each painting, such as the apples, the cloth, a vase.

4TH DIMENSION

Poochie Myers Example Speed of your line. In order to show speed you must draw firmly and fast. Objects that move can be very difficult to draw. Water and clouds are both good subjects. Grass that is blowing and moving. Trees in a wind. Try photographing all these movement visions so you can see the stopped image. If you have a computer then select one area of a cloud or water and blow it up 10 times and study that. It looks just like those spheres or eggs as far as light and dark . . . . no lines too! Water with reflections of boats, etc. can have the appearance of many sharp edges, although the lines are broken and appear to move.

WATER

Poochie Myers Example If you had to design material with a water theme, what would your design look like. Try it. Remember when using a silk screen the colors usually have to be in contained areas. Does it look like paint by number? Look at Peter Max paintings and designs. This exercise will help you understand what it takes to make water say water, and clouds say cloud, and apple say apple, in 2 dimensions.

SET UP A STILL LIFE

Poochie Myers Example Set up a still life. Draw only the negative shapes - the shapes between the objects. Be sure you use the correct tone and value in these negative shapes. Look at your drawing. Do the negative shapes form an interesting pattern on the page? If not then rearrange the objects and draw the negative shapes again. Again check it to see if these form an interesting pattern.

DRAWING WITH A PROJECTON OF YOUR IMAGE

Using a slide projector or overhead, or opaque projector, project an image onto paper. Trace the objects projected onto the paper. Model the values to let the image emerge. Turn your projector off and look at your drawing. You can throw the projector out of focus to check only the values.

Some artists use this method all the time.

ENLARGING WITH A GRID

To enlarge anything try this. We did this in school when we were little. (at least those of us who had some art in school) Use a photo or drawing, place gridded tracing paper over it. Draw a grid onto the larger area, wall, paper, canvas, whatever. Copy the image in one section of the grid into the corresponding section of the larger grid. This works for any size enlargement including crop circles. The smaller the grid the more exact the reproduction.

To use just one section of the gridded photo or drawing as an abstract:

Use two L-shaped pieces of paper over the photo or drawing. Squeeze them together making a frame around a small area of the photo or drawing. Move this around until you select the most desired area. This tiny area can be enlarged in just the same way as before.

Think big!

COLLAGE INSPIRATION

Cut up a drawing or photo or magazine picture. Rearrange it in a new order and paste down. Try leaving it in original order and just slightly eschewing the pieces when you glue them down. Or some of the pieces might be upside-down. Draw a grid over this. Poochie Myers Example Poochie Myers Example
  Poochie Myers Example Poochie Myers Example

Cut up some old drawings. Paste them back together in a new arrangement. Lay tracing paper over this collage. Picking out the best areas, draw a new drawing on the tracing paper. Go wild, grid it out and paint it!

Try using color or just black and white pictures. Grid it.

Draw from any one of these grids.

Poochie Myers Example Use a small black matt to isolate areas so you can choose. Poochie Myers Example

Now try drawing on huge paper.

You can buy paper that's 10' wide, or more. If you don't have the source for large paper then paste together smaller paper to at least 6' size . . . the edges will create even more interest. Artists always love edges!

Review Lesson 1
Review Lesson 2
Review Lesson 3
Go to Lesson 5

For more information, visit Poochie Myers in Ask for Prosperity.


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